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Kamis, 04 September 2014

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Cultures collide when an American businessman (Tom Hanks) is sent to Saudi Arabia to close what he hopes will be the deal of a lifetime. Baffled by local customs and stymied by an opaque bureaucracy, he eventually finds his footing with the help of a wise-cracking taxi driver (Alexander Black) and a beautiful Saudi doctor (Sarita Choudhury).

About A Hologram For The King

Artist : Tom Hanks, Alexander Black, Sarita Choudhury
As : Alan, Yousef, Zahra
Title : A Hologram For The King Ver Online Pelicula Espanol
Release date : 2016-04-22
Movie Code : 2980210
Duration : 90
Category : Drama

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Name : Sheri Linden / Alias : Hollywood Reporter
The focus on the way individuals adapt to and defy custom is one of the smartest aspects of the film.

Name : J. R. Jones / Alias : Chicago Reader
I guess I'll have to read the Dave Eggers novel to figure out what this thing is about.

Name : Joe Morgenstern / Alias : Wall Street Journal
Here's a case of consistently miscalibrated tone, from the first clumsy stabs at humor to the hero's default expression, which is painfully pained.

Name : Nick Allen / Alias : RogerEbert.com
Here's a reasonably-sized star vehicle that finds exciting purpose in presenting an existential crisis.

Name : Ethan Sacks / Alias : New York Daily News
After a first act that seems to promise a biting comedy, the film gets lost in the desert - literally and figuratively.

Name : Steven Rea / Alias : Philadelphia Inquirer
Quiet existential irony, albeit diluted and distorted, still reverberates in this stranger-in-a-strange-land story.

Name : Michael Nordine / Alias : TheWrap
Even when A Hologram for a King rests on shaky narrative ground (which is often), Tykwer's confidently frenetic presentation and a host of surreal grace notes lend it a sense of urgency that keeps us on our toes, if not the edge of our seats.

Name : Rafer Guzman / Alias : Newsday
An earnest but aimless-feeling adaptation of Dave Eggers' novel.

Name : Mick LaSalle / Alias : San Francisco Chronicle
It's a strange thing: A Hologram for the King is mostly about a series of nuisances, annoyances and stresses, and yet it's a pleasure from beginning to end.

Name : Michael Phillips / Alias : Chicago Tribune
The tone and rhythms are pushy, forced, strained, like the expression on Hanks' face. What should be casual punctuation, filmed in medium shot, ends up in bam-pow close-ups.

Name : Moira MacDonald / Alias : Seattle Times
This stranger-in-a-strange-land mood piece has an appealingly serene pace.

Name : Colin Covert / Alias : Minneapolis Star Tribune
It's not entirely free of stereotypes or sentimental moments. What it is, though, is amazingly likable.

Name : Ann Hornaday / Alias : Washington Post
It's that rare fish-out-of-water story in which the fish miraculously manages to stop needing water, and learns to crave air instead.

Name : Tom Huddleston / Alias : Time Out
It's hard to imagine a more Tom Hanks-y setup than this.

Name : Rex Reed / Alias : New York Observer
It looks expensive and comes off bland.

Name : Kate Taylor / Alias : Globe and Mail
You have to wonder what this film would feel like if a darker figure, a Robert Downey Jr. or Edward Norton, for example, had been cast in the lead role.

Name : Kyle Smith / Alias : New York Post
To describe this as a movie about a mediocre businessman biding his time before an appointment probably makes it sound more exciting than it is.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
Starring Tom Hanks and directed and written by Tom Tykwer ( Cloud Atlas, Run Lola Run), it veers from dark comedy to drama to buddy movie to romance without being particularly successful at any of them.

Name : Stephen Holden / Alias : New York Times
It takes an actor with the finesse of Tom Hanks to turn a story of confusion, perplexity, frustration and panic into an agreeably uncomfortable comedy.

Name : Adam Graham / Alias : Detroit News
You always trust Hanks, and he makes this "Hologram" feel real.

Name : Matthew Lickona / Alias : San Diego Reader
Director Tom Tykwer (Cloud Atlas), who also adapted the screenplay from Dave Eggers novel, displays a fine eye and a light touch with cultural detail, and isn't nearly as harsh on his hero as he might have (ought to have?) been.

Name : Bilge Ebiri / Alias : Village Voice
It may start with a big burst of energy, but this is a sad, somber film about a world that's slowly, knowingly losing touch with the real.

Name : Stephen Whitty / Alias : Newark Star-Ledger
This film is surprisingly sweet.

Name : Peter Travers / Alias : Rolling Stone
Not even the mighty Tom Hanks can save this scattershot adaptation of Dave Eggers' lost-soul novel

Name : Eric Kohn / Alias : indieWIRE
It's Eggers minus Eggers - a whimsical tale that aspires to make its whimsy count for something deep.

Name : Peter Rainer / Alias : Christian Science Monitor
It's a sweet, deliberately meandering movie, and it took me a while to connect with it. But it won me over because ultimately it conveys so well that feeling of estrangement that is both terrifying and comic for any farflung traveler.

Name : Kenneth Turan / Alias : Los Angeles Times
The problem is not that anything on screen is troubling, it's that nothing there, not even star Tom Hanks, is capable of holding our interest or attention for very long.

Name : Chris Nashawaty / Alias : Entertainment Weekly
If it sounds like Hologram is basically about a middle-aged white guy getting his groove back in the Middle East, well, yes, it is that. But if you squint hard enough, it's also a little bit more.

Name : Jim Slotek / Alias : Toronto Sun
A "Death of a Salesman" for the out-sourcing era, A Hologram for the King makes full use of Tom Hanks' default note, an everyman struggling painfully against the tide.

Name : Tony Hicks / Alias : San Jose Mercury News
"A Hologram for the King" is disappointing mostly in that it could have been been better. But that doesn't make it bad.

Name : Peter Howell / Alias : Toronto Star
Tom Hanks exerts such a gravitational force in his movies, sometimes to his detriment, it's fascinating to watch him struggle for equilibrium in Tom Tykwer's A Hologram for the King.

Name : Justin Chang / Alias : Variety
The movie conjures no shortage of potent images, but push a bit deeper and your fist closes on empty air.

Name : Tom Russo / Alias : Boston Globe
It's like an international-relations microcosm imagined by the Coen brothers, down to an occasional sense that the absurdity isn't taking us anywhere.

Name : Richard Roeper / Alias : Chicago Sun-Times
Writer-director Tykwer skillfully presents a series of fantastical scenes in a way that has us thinking: Sure, that could happen. This is quite simply a beautiful film to behold.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
It's true that not much happens - except cinema at its finest.

Name : Keith Uhlich / Alias : AV Club
A Hologram For The King is a 97-minute movie that feels like it was cut down from two-hours-plus, with whole subplots reduced or jettisoned in what was likely an arduous post-production period.

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Kamis, 14 Januari 2016

☼ 2016 ☼ Watch Filems 12 Years A Slave

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Chiwetel Ejiofor stars as Solomon Northup, the New York State citizen who was kidnapped and made to work on a plantation in New Orleans in the 1800s. Steve McQueen (Hunger) directs from a script he co-wrote with John Ridley, based in part by Northup's memoir. Michael Fassbender, Brad Pitt, Benedict Cumberbatch, Sarah Paulson, and Paul Giamatti co-star. ~ Jeremy Wheeler, Rovi

About 12 Years A Slave

Artist : Chiwetel Ejiofor, Dwight Henry, Dickie Gravois, Bryan Batt, Ashley Dyke
As : Solomon Northup, Uncle Abram, Overseer, Judge Turner
Title : ☼ 2016 ☼ Watch Filems 12 Years A Slave
Release date : 2013-10-18
Movie Code : 2024544
Duration : 134
Category : Biography, Drama

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Comment For 12 Years A Slave Si Peliculas

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
One of the best and most courageous films of the year.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
But the much talked-about 12 Years a Slave is more than a beautifully shot art piece. It's history made violently real.

Name : Lou Lumenick / Alias : New York Post
A brutally powerful and emotionally devastating film that takes great pains to rip any lingering vestiges of romanticism from America's most shameful institution.

Name : Richard Roeper / Alias : Richard Roeper.com
Brave performances throughout this magnificent film.

Name : Ty Burr / Alias : Boston Globe
Other movies and books have gone here, but few so far and with such overwhelming clarity of purpose.

Name : Stephanie Zacharek / Alias : Village Voice
Aside from a characteristically nuanced lead performance by Chiwetel Ejiofor. it's a picture that stays more than a few safe steps away from anything so dangerous as raw feeling.

Name : Joshua Rothkopf / Alias : Time Out New York
It's not too soon to call 12 Years a Slave a great film-ruined, tremulously sad, surreal in its evil.

Name : William Goss / Alias : Film.com
Northup's story was a true, terrible thing, and by virtue of telling it, the burdens of all American slaves are unflinchingly realized by Ejiofor and McQueen alike.

Name : Mick LaSalle / Alias : San Francisco Chronicle
It provokes recognition in us of the very heart of darkness. It makes the unimaginable imaginable.

Name : Peter Rainer / Alias : Christian Science Monitor
Steve McQueen's 12 Years a Slave, written by John Ridley and starring Chiwetel Ejiofor, is a necessary corrective to the antics of Django Unchained, not to mention Mandingo and its ilk.

Name : Colin Covert / Alias : Minneapolis Star Tribune
The film is both brutal to watch and stunning to contemplate, powerfully challenging audiences - particularly white audiences - to examine their consciences.

Name : Rene Rodriguez / Alias : Miami Herald
12 Years a Slave is at times difficult to watch but always impossible to turn away from.

Name : Ann Hornaday / Alias : Washington Post
McQueen doesn't go in for a lot of flash edits or self-conscious visual flourishes to put viewers at ease; rather, he invites the audience to sit with him as he gazes, amazed, at man's inhumanity to man .

Name : Richard Corliss / Alias : TIME Magazine
In the epic form of 12 Years a Slave, his most approachable, emotional film, McQueen escalates the tension.

Name : Rex Reed / Alias : New York Observer
If the best films hold you in a captive vise, entertain you, keep you spellbound and teach you something at the same time, then 12 Years a Slave is outstanding-brave, courageous and unforgettable.

Name : Peter Debruge / Alias : Variety
This epic account of an unbreakable soul makes even Scarlett O'Hara's struggles seem petty by comparison.

Name : Steven Rea / Alias : Philadelphia Inquirer
It speaks to the courage and resilience of one man, the savagery of many, and the potential, for both good and for ill, in us all.

Name : Tom Huddleston / Alias : Time Out
The cumulative emotional effect is devastating: the final scenes are as angry, as memorable, as overwhelming as anything modern cinema has to offer.

Name : Andrew O'Hehir / Alias : Salon.com
"12 Years a Slave" offers no false Hollywood catharsis along with its muted happy ending, because we're not free from the curse of slavery yet. Looking at it, as it really was, is a start.

Name : J. R. Jones / Alias : Chicago Reader
Slavery here is not only a great moral darkness but a sweeping canvas for depicting the emotional deformities of the people who enforced and exploited the practice.

Name : Stephen Whitty / Alias : Newark Star-Ledger
Remarkable.

Name : Jocelyn Noveck / Alias : Associated Press
The film truly belongs to Ejiofor, whose big, soulful eyes seem to register so many things at once: Shock, pain, grit, determination, abject despair at times, cautious hope at others - and always, dignity.

Name : David Thomson / Alias : The New Republic
It is a film that necessity and education demand seeing.

Name : Chris Vognar / Alias : Dallas Morning News
Every scene of 12 Years a Slave, and almost every shot, conveys some penetrating truth about America's original sin.

Name : Bill Goodykoontz / Alias : Arizona Republic
Slavery is revealed for the unrelenting horror that it was. About time.

Name : Liam Lacey / Alias : Globe and Mail
12 Years a Slave, British director Steve McQueen's antebellum Southern drama, sets a new standard in realistically depicting American slavery.

Name : Randy Myers / Alias : San Jose Mercury News
This is not medicine for America to swallow; it's filmmaking of the highest caliber.

Name : Bob Mondello / Alias : NPR
It is Ejiofor - bewildered, sorely tested, morally towering - whose staggered dignity anchors the film.

Name : Joe Neumaier / Alias : New York Daily News
A harrowing, unforgettable drama that doesn't look away from the reality of slavery and, in so doing, helps us all fully, truly confront it.

Name : Claudia Puig / Alias : USA Today
The harrowing 12 Years a Slave is a mesmerizing period drama for the ages.

Name : Moira MacDonald / Alias : Seattle Times
"12 Years a Slave" isn't easy to watch, and it shouldn't be; it's one man's tragedy, but it's also the tragedy of countless thousands of souls beaten down, literally and metaphorically.

Name : Joe Morgenstern / Alias : Wall Street Journal
It seems certain to transcend the movie realm and become a new reference point in contemporary culture-a defining vision of what slavery looked like, and felt like, in the U.S. before the Civil War.

Name : David Denby / Alias : New Yorker
12 Years a Slave is easily the greatest feature film ever made about American slavery.

Name : Todd McCarthy / Alias : Hollywood Reporter
A strong, involving, at times overstated telling of an extraordinary life story.

Name : Peter Howell / Alias : Toronto Star
Believe the Oscar buzz. Britain's Steve McQueen (Hunger, Shame) nails the horror of America's slavery shame but also finds humanity in one man's determination to free himself and return to his family.

Name : James Berardinelli / Alias : ReelViews
The film offers a formidable indictment of the cruelty of which human beings are capable.

Name : Peter Travers / Alias : Rolling Stone
You won't be able to tuck this powder keg in the corner of your mind and forget it. What we have here is a blistering, brilliant, straight-up classic.

Name : Michael Phillips / Alias : Chicago Tribune
A film this good, and this quietly distinctive in its style, is always welcome.

Name : David Edelstein / Alias : New York Magazine/Vulture
It's smashingly effective as melodrama. But McQueen's directorial voice-cold, stark, deterministic-keeps it from attaining the kind of grace that marks the voice of a true film artist.

Name : Kenneth Turan / Alias : Los Angeles Times
When a director who never ever blinks takes on a horrific subject, a nightmare in broad daylight is the inevitable result. Welcome, if that is the right word, to the world of 12 Years a Slave.

Name : A.A. Dowd / Alias : AV Club
Channeling the evils of human bondage through the experiences of one weary figure, McQueen has constructed another intensely physical character study about a man trapped in his own flesh.

Name : Wesley Morris / Alias : Grantland
The power of McQueen's movie is in its declaratory style: This happened. That is all, and that is everything.

Name : Rafer Guzman / Alias : Newsday
"12 Years a Slave" works on so many levels - some topical, some timeless - that it's almost impossible to count them.

Name : Christopher Orr / Alias : The Atlantic
12 Years a Slave is likely the most painful, clear-eyed feature ever made about American slavery. In that light, it almost seems faint praise to add that it will also likely prove to be the best film of the year.

Name : Owen Gleiberman / Alias : Entertainment Weekly
12 Years a Slave is a movie about a life that gets taken away, and that's why it lets us touch what life is.

Name : Tom Long / Alias : Detroit News
"12 Years a Slave" lays out an institution so twisted and wrong that its honest portrayal has been avoided for centuries. Yes, it's dark and brutal. It needs to be.

Name : Michael Sragow / Alias : Orange County Register
One of the finest historical movies ever made.

Name : Dana Stevens / Alias : Slate
So overpowering is this film's simple, horrible, and almost entirely true story that it's hard to get enough distance on 12 Years a Slave to poke at its inner workings.

Name : Manohla Dargis / Alias : New York Times
The genius of 12 Years a Slave is its insistence on banal evil, and on terror, that seeped into souls, bound bodies and reaped an enduring, terrible price.

Name : Alonso Duralde / Alias : TheWrap
McQueen and Ridley seem determined to obliterate any lingering Gone With the Wind-inspired notions that the antebellum South was a place of grace and charm, or that slavery was, in the euphemism of the day, merely a "peculiar institution."

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